I just had this postcard made up in time for the SCBWI Publisher’s Bootcamp this weekend. There’s going to a talks by local agents and art director Goldstein from Sasquatch books and a 4 minute pitch round where I’ll get a chance to pitch a book idea.
SCBWI Western Washington has been a great branch of the Society for Children’s Book Writers and Illustrators helping people learn more about book publishing and hopefully get published themselves.
I just heard the great news that my Squid Attack on the Nautilus got accepted to the Comics, Anime, Cartoons, and Fantasy Exhibition at the Las Lagunas Gallery Laguna Beach California! This is the first time I’ll be showing and selling my work in a international curated / juried exhibition. Pretty cool.
My family’s been saving up frequent flier miles, so I’ll even be able to attend the Artists’ Reception on April 5th. The exhibition will be open from April 5-27th. The opening also takes place on Laguna Beach’s First Thursday Artwalk. Say hello if you can make it!
This past week, we were studying wordless picture books. Here is my discussion post answering questions such as some favorite wordless picture books and whether we thought wordless picture books could be improved with words or vice-versa, whether there were picture books with words that could published as wordless.
A prime contender for my favorite wordless picture book is Shaun Tan’s The Arrival. It tells a metaphorical story about the immigrant experience, with a poor man leaving home on a steamship in order to support his family, and finding himself in a bizarre new world. Many aspects of immigration are reflected: confusion, frustration, tedious manual labor, and the dangers of war, but also the joys of making new friends, discovering new experiences, and finding ways to support the people you love. The world of The Arrival is visually set in the early 20th century, and the art style is modeled after the sepia photographs of those periods, making the strange creatures and environments feel all the more otherworldly. The lack of words helps to make the reader’s connection with the immigrant protagonist all the more direct, as he struggles to figure out an often difficult to comprehend new environment. In Tan’s own words, “Words have a remarkable magnetic pull on our attention, and how we interpret attendant images: in their absence, an image can often have more conceptual space around it, and invite a more lingering attention from a reader who might otherwise reach for the nearest convenient caption, and let that rule their imagination.”
A wordless picture book that I haven’t read in its entirety, but is pretty good from what I’ve seen, is Journey by Aaron Becker. I like it because of its sense of wonder, and its simple, positive message about creative works can break boundaries and reach out to other people. The lack of words in this book, again, helps to place the reader in the protagonist’s place, as they discover the possibilities of their creativity over the story’s course.
I kind of can’t name any wordless books that I think would be improved by words. Wordless picture books have their own strengths as a format; they have a certain element of discovery to them, as the reader pieces together events without the aid of a narrative text. There are some books could be adapted pretty simply, if not necessarily improved, into effective wordless books. Maurice Sendak’s Where the Wild Things Are comes to mind, as do some of Beatrix Potter’s works.
I’m starting my picture book dummy based on the story of The Velveteen Rabbit. I could tell the gist of the plot of the story without words, but I feel like some nuances, such as the point the Skin Horse makes about toys becoming real, would be at least partially lost.
After sketching thumbnails for my Gerda vs. the Snow Queen’s Snow Bees painting, I created 3 quick 3-value thumbnails to decide on the final composition. I found it really helps separating out the composition and value decisions before committing to a final work. Because I wanted to base the painting on the original Hans Christian Andersen story, I also want to work in the detail that he had about the palace being lit by Northern Lights.
Although I liked the extremes of values in the value study, I settled on the 3rd study because I liked the idea that the shadows on the hill would be pointing to Gerda, my focal point. I added some hills in the background to create greater depth and also added more complex branchwork in the final.
I started out with pencil and watercolor on Arches watercolor paper, but finished the piece digitally using Procreate and an Ipad Pro because I could play around with different color combinations before deciding on a final. I really like Procreate and the Apple Pencil because the process of illustrating with them is so close to real pencil, paper, and paint – but with much more flexibility with materials and undo’s. I had an earlier version, but Phil my teacher and classmate China suggested good feedback about brightening up the colors among other things. Our next assignment should be fun – drawing caricatures. I’ve picked my subject already…Edgar Allan Poe.