Category

Painting

Artists’ Reception This Weekend at WA State Convention Center

By Animals, artists groups, Children's book illustration, Cute Animals, Fantasy Illustration, GNSI, Painting No Comments

 I’m in a group exhibition called “Natural Musings” through my local chapter of the Guild of Natural Science Illustrators. It’s a very talented group. We’re having an artists’ reception this coming Saturday that you’re all invited to. I have my gouache painting of a Turkey Vulture in the show.

I’ve been posting on my Instagram: https://www.instagram.com/kristereide

A lot has happened since I last wrote a blog post. I did go down to San Diego Comic Con and even sold some work in their Art Show (!).  I also was able to participate in a group board from the Association of Science Fiction and Fantasy Artists at World Con 76 in San Jose.

There’s a lot to learn!

The past quarter, I also took Landscape Painting and I’m hooked on oil painting. I’m grateful for the Muddy Colors art community for sharing so much practical information about painting and also sharing through knowledge about non-toxic options. Instead of turpentine, I use walnut alkyd and I wash brushes in safflower oil. 

It was pretty distracting painting outside. Geese were landing to my left and neighbors came around walking their dogs, but it was a perfect morning and really fun.

I also had a chance to paint this hillside from when I had visited the Marin Headlands. The poppies were in bloom all over the hillside.

I even had a chance to work in 20,000 Leagues Under the Sea in an assignment to create a narrative landscape.

Here it is:

I really liked cobalt blue turquoise. What color!

Dragon Rider

By Animals, Children, Children's book illustration, Cute Animals, digital, Dragon, Fantasy, Illustration, kids lit art, Painting, People, SCBWI No Comments


I just had this postcard made up in time for the SCBWI Publisher’s Bootcamp this weekend. There’s going to a talks by local agents and art director Goldstein from Sasquatch books and a 4 minute pitch round where I’ll get a chance to pitch a book idea.

SCBWI Western Washington has been a great branch of the Society for Children’s Book Writers and Illustrators helping people learn more about book publishing and hopefully get published themselves.

NYC Trip and Sargent Master Copy

By Animals, Children's book illustration, digital, Fantasy, Illustration, Painting, Portraits One Comment

My trip to New York city was great!  It started off with a trip to the Society of Illustrators which was pretty amazing itself because of its collection (see Peter de Seve‘s owl).

We had portolio reviews there and then Scholastic!  I’ve long been a fan of Arthur Levine Books, so it was an experience showing my work to Editor Weslie Turner. She said it was a great portfolio overall, but she wanted to see if I could bring the emotions and movements of my animal characters to kids – so I have more work to do.

I also spent hours at the Metropolitan Museum of Art and even some of the Frick collection. As it should happen, at the same time, I had assignment to do a Singer Sargent master copy. At right is a portrait I painted digitally of Julia inspired by Sargent’s The Daughters of Darley Boit. The more I looked, the more colors I saw. I tried to capture that piercing look that so many of Sargent’s paintings have.

I also got to see the Broadway show Aladdin while I was there. It also was great. A friend of my parents even knew some members of the cast.

Tomorrow I’ll be heading down to California for the Comics, Anime, Cartoons, and Fantasy show at Las Laguna Gallery. Here’s the flyer!  Say hello if you stop by. I plan to be there from 6:30-9:30 by my painting (Squid Attack on the Nautilus). More information can be found here. The show will be up from April 5-27th.

Spring – New Animals in Our Wildcare Center

By Illustration, Mixed Media, Painting, Photoshop No Comments

Here’s a newborn baby Douglas squirrel. Their nest was found broken on the ground with no other babies or mom in sight. We think it may have been a predator.

We also have 6 Western cottontails and a new screech owl. The last screech owl has recovered well and has been released.

 

 

I’m in Digital Illustration II now and we’re doing practicing realistic techniques. Not as fun as narrative illustrations, but I’m definitely picking up some new things. I had a great trip to New York City – I’ll post that later this week. The smaller picture is the photo reference.

 

 

 

Twenty Thousand Leagues Book Cover

By Animals, art school, Children's book illustration, Cute Animals, Fantasy, Illustration, Jules Verne, kids lit art, Painting, RMCAD, SCBWI No Comments

Eide-Twenty-Thousand-Leagues-dec3I just turned in this illustration last week for Illustrating Literature class. It  continues some ideas I have about Twenty Thousand Leagues Under the Sea with Animals. I learned a lot more about painting water, textures, and lighting on this one and this week I’m working on more sequential illustrations from the story.

It’s been so busy, I haven’t had a chance to post to the blog, but I had an incredible time at #CTNexpo2017. I’ll have to follow up in other posts, but one of the sessions I went to was on publishing. Many of the artists at this expo were involved at least some point in huge animations studios like Disney, Dreamworks, Pixar, Blue Sky. Greg Manchess and Armand Baltzar talked about how they had a dream of getting their artwork and stories into book form, although they didn’t clearly fit into either picture books or graphic novels. The result is Greg’s Above the Timberline and Armand’s Timeless.

Here’s an example from Greg’s book. The inset is a personalized inscription he gave me.

manchess

Here’s an example from Armand’s book:

armand

I Won a Charlene Cosgrove Memorial Scholarship !

By Animals, Children's book illustration, gouache, Illustration, Painting, RMCAD, watercolor 2 Comments

I just found out today that I won a Charlene Cosgrove Memorial Scholarship at my university, Rocky Mountain College of Art + Design!  It was very unexpected.  It’s $825 that I can put toward tuition.

I submitted this painting a marbled murrelet (it’s actually still a WIP – some things I need to clean up) done in gouche and transparent watercolor and the crow that I recently posted here on the blog and Gerda from the Snow Queen (below).

There was also a writing prompt with the scholarship and I had a chance to write on a Japanese artist Tabaimo who recently had an exhibition at the Asian Art Museum here in Seattle.

The question we were to write about was whether we thought the context of the artist was important for a full appreciation and understanding of art. For me, the context of the art is very important.

I’ll post my paper below for anyone who might be interested. Also here’s a short video interview with Tabaimo talking about the exhibition.

 

Scholarship paper here.

I’m in the Fantastical Worlds and Put a Bird on It Exhibitions!

By Animals, birds, Children's book illustration, Cute Animals, digital, Fantasy, gouache, Illustration, kids lit art, Mixed Media, Painting 3 Comments

I’m excited to share that I’ve juried in two art pieces in the Fantastical Worlds Exhibition at Blakely Hall.  The curator is Anna Macrae and the event was organized by ArtEast. I am thrilled and honored. There are some amazing artists in the show. Put it on your calendar. The opening reception is September 7th at Blakely Hall in Issaquah 6-8 pm.  The art should be up until the beginning of November.

Here is my Art Statement for the show:

Animals have always captured my imagination. They come with a wild array of forms, colors, sounds, and with them an inner world we can only see faint traces of, and can never fully understand.  Focusing on animals in my work always seemed natural to me, expressing emotions and worlds outside our understanding.

“Outside Looking In” is a somewhat personal piece, capturing a moment in time between two worlds. The piece started from random pourings of blue ink on paper, which formed an appealing landscape; the rest was filled in digitally.

“20,000 Leagues Under the Sea with Rabbits” is a lighthearted piece, which attempts to capture that sense of wonder and mystery I’ve always been drawn to, of entering a world you never knew you were missing.
Screen Shot 2017-08-15 at 9.18.14 AM

buzzard-blue-skyI was also happy to hear that my painting of Edgar (see right) made it into ArtEast’s Put a Bird On It show that opens this Thursday evening at the ArtEast Center (I’ll be there) and remains there until October 1st.

Painting of Endangered Marbled Murrelet for Seattle Audubon

By Animals, birds, Illustration, Painting, watercolor No Comments

Sorry – I haven’t been posting in a while.  Here’s a work-in-progress painting of a Marbled Murrelet that I’m doing for Seattle Audubon. I’m planning to paint in a background of an old growth forest, but they have some important conversation actions coming up in March, so I also made this badge for them too:

murrelet-design-krister-eideThe marbled murrelet is a bird that is endangered because its habitat depends on both the ocean and old growth forests. Although it’s a sea bird with webbed feet, it nests high up in old growth forests and lays a single egg at a time.

Take Action HERE.

I am grateful to Kim Nelson for scientific feedback about my painting and Mike Danzenbaker for photo reference.

I painted this on Ampersand using gouache.

Things have otherwise been good. I’ll do another post soon. I’m taking Western Civilization this quarter, so more free time to work on projects like this murrelet. I’m also 4 weeks into an Artist’s Way class in Seattle and I’m just figuring out how to sell greeting cards on Etsy and Amazon. I can talk more about that in a future post.

Bird Beaks and Eats

By Animals, birds, Children, Cute Animals, digital, Painting 2 Comments

Here’s some illustrations I was asked to make by my local Audubon society, Pilchuck Audubon. Jim Beneteau and other volunteers give lectures to school children about different beak adaptations and how they’re suited to what they eat. They didn’t have good visual illustrations, so I made these prints for them for their traveling kit.

Jim, Valerie, and Laurel asked for common birds that children might recognize in their backyards. The nice thing about having more picture of birds and what they eat is that students can think more about they are actually seeing. There’s the barn swallow that needs dart around quickly to grab insects, hummingbird that sips nectar deep in flowers, robin that digs around in dirt for worms, and pelican who eats fish.

If anyone is interested in purchasing cards for their classroom, they can contact me HERE.

My next painting is for Seattle Audubon. I’ll be painting a marbled murrelet which is an endangered species in Washington, Oregon, and California. It’s a sea bird that nests miles inland in old growth forests, so its vulnerable in both ocean and forest habitats. Its a neat bird that has webbed feet, but also is found in the tops of trees.

 

Still Life – Otis in His Study

By acrylic, Animals, birds, Children, Children's book illustration, kids lit art, Painting, RMCAD, SCBWI 2 Comments

Here’s my final project for Still Life Painting. It was a great fun. The assignment was to create a composition that included ceramic, glass, and metal. I included Otis, who  is a bird that I grew up with on our front table. He was molded by talented ceramicist Stephani Stephenson of Revival Arts Studio (her Facebook page is here). It was nice to be in touch with her after all these years.

From Otis, I learned a lot more about handling acrylic. For this piece, I used Ampersand Aquabord, Golden Acrylic, and Holbein Fluid Acrylic.

I’m also excited to share that I sold my first work through my website (thanks Garret!) and two additional works through the Gage Small Works show.

otis-step-1otis-step-2 otis-step3

Still Life – Acrylic Painting

By Animals, art school, birds, digital, Gage Academy, Illustration, Painting No Comments

underpainting-peppersI’m halfway through Still Life Painting and I’m learning Acrylic Painting now. We’re painting several different ways – the first involved an underpainting. There was definitely a learning curve. I used Asmpersand Aquabord because I liked the smooth look over canvas. It also has the advantage of slowing drying for people who like to rework.

I used Golden heavy body acrylics, but then layered fluid acrylics on top. It was a bit slow to have to work with it in two steps, but I liked the control when the second layer was added. The next one I did have to have some basic geometric shapes and drapery. I’m also working on the third which has to involve toys and texture.

This week I also put up prints in the Small Works Art Show to benefit thesmall-art-gageGage Academy. Check it out today through December 9th! It’s a great way to purchase some inexpensive original art and also help the Academy.

I also heard the great news that both the Pilchuck Audubon Society and Seattle Audubon Society are interested in having me illustrate for them.

hummer-revised-3
It’s already been a learning experience. Pilchuck was interested in illustrations they could use when teaching school children about beak shapes and food.

I initially picked a berylline hummingbird because it looked pretty, but they wanted an Anna’s hummingbird instead because that was the one they’re more likely to see here in Washington state.

Value Studies and Final Snow Queen Painting

By art school, Children, Children's book illustration, Color, Fantasy, Illustration, Mixed Media, Painting, People, watercolor No Comments

After sketching thumbnails for my Gerda vs. the Snow Queen’s Snow Bees painting, I created 3 quick 3-value thumbnails to decide on the final composition. I found it really helps separating out the composition and value decisions before committing to a final work. Because I wanted to base the painting on the original Hans Christian Andersen story, I also want to work in the detail that he had about the palace being lit by Northern Lights.

Although I liked the extremes of values in the value study, I settled on the 3rd study because I liked the idea that the shadows on the hill would be pointing to Gerda, my focal point. I added some hills in the background to create greater depth and also added more complex branchwork in the final.

I started out with pencil and watercolor on Arches watercolor paper, but finished the piece digitally using Procreate and an Ipad Pro because I could play around with different color combinations before deciding on a final. I really like Procreate and the Apple Pencil because the process of illustrating with them is so close to real pencil, paper, and paint – but with much more flexibility with materials and undo’s. I had an earlier version, but Phil my teacher and classmate China suggested good feedback about brightening up the colors among other things. Our next assignment should be fun – drawing caricatures. I’ve picked my subject already…Edgar Allan Poe.

krister-value-2 krister-value-3krister-value-1

Changing Reality – Life Drawing

By art school, Children, Children's book illustration, Color, figure, gouache, Illustration, Mixed Media, Painting, Pastels, People, Reference, Technique, watercolor 3 Comments

charles-jeong-realistic-2We had an interesting discussion this past week about realistic (or hyper-realistic) painting vs. realistic
painting with fantastic elements. A fellow student shared some of the hyper-realistic paintings of Charles Jeong from South Korea. I shared  Allen Williams’ If Beauty Were a Book, done in graphite.Screen Shot 2016-08-23 at 2.26.07 PM

I realized while I like representational art, I prefer works that convey emotion or story more than complete accuracy.

In our final assignment of the class (costume figure), I decided to change it up a bit and use color and value changes, and even changes in the model to alter the mood.

girl-reading-referencereading-girl-final
It great to get back painting again. I combined a gouache underpainting with transparent watercolor and then Faber Castell Polychromos pencils and little touches of Sennelier pastels for highlights. It was nice to see that all of the media seemed to work together.

Had a great time with the critique group through SCBWI last weekend. Now I have a week off before starting Concept Illustration.

More Pastels – Carbothello Stabilo Pencils

By Animals, art school, artists groups, charcoal, Children, Children's book illustration, Drawing, Illustration, Mixed Media, Painting, Pastels, Portraits, RMCAD, SCBWI, Technique 2 Comments

floating-girl-ear-final It’s been another busy week, but learning a lot more what CarbOthello pencils can do. I really like the medium although I have a lot to learn about making color blends.  This past week had our usual gesture drawings, 2 hand drawings in pastel, and then a costumed figure drawing. Sanded paper like UArt or Wallis can receive more layers than Canson Mi-Teintes or other pastel papers, but they will eat up your pencils quicker.

I found I like the soft rich blacks of  Nitram charcoal. It also doesn’t have as much dust as General’s.

I’ll also post the three examples of pastel paintings that I posted in this week’s discussion. Pastel offers such a wide variety of expression. I really like the medium.

The first is a rendering of Ophelia from Cuong Nguyen who worked as a successful web designer for many years until he got working more as a streetpastel-1chalk artist, then became a full-time fine art painter. I learned from him that skin tones can be mixed with a green underpainting (verdaccio) and flesh tones.

pastel-2The second is an illustration from Paul Howard from a Jill Tomlinson book called The Owl who was afraid of the dark. I like the soft luminous quality Howard was able to get from his use of pastels.

pastel-3Finally, there’s The Guardian by Fiona Tang. It combines chalk pastel with charcoal and acrylic on a paper backing. The different textures of the various media used for this piece this piece contribute to the overall effect in different ways; the chalk pastel in particular is important to the trompe l’oeil effect, helping to differentiate the “three-dimensional” stag in the front from the more “two-dimensional” background charcoal elements, with the white tone of the pastel “light” against the natural brown color of the paper.

This coming week is my final one for Life Drawing IV. We’ve got a watercolor assignment, the first I’ve had since I’ve been in art school. Also this weekend, I’ll be going to the Great Critique-nic through the Western Washington Society of Children’s Books Writers and Illustrators. It’ll be the first one that I’ve ever gone to. People bring their illustrations or writing and split up into small groups where they critique and be critiqued.

 

Drawing Hands – Life Drawing IV

By art school, charcoal, Children's book illustration, Color, Drawing, figure, Illustration, Painting, RMCAD, Technique No Comments

krister-hands-2  This past week my class has been looking at the drawing of expressive hands. We’re still working for the most part in charcoal which is getting easier to handle for me. I like Strathmore Toned Paper and I’m finding it easier to get darker tones with a softer Nitram charcoal. I had started with Strathmore 500 charcoal, but it doesn’t have the smooth look of toned paper.

Besides drawing practice (whole body gestures) and these hand drawings, we also have a discussion post where we post examples of expressive hands.  Everyone always shares very different examples – it’s a great part of the class.

The three I shaerd this past week were from Rackham, Wyeth, and Earl Oliver Hurst. In the Rackham, I thought it was an interesting contrast between the knobby hands of the old woman and the simple open hands of the children. The Wyeth also showcases contrasts in this Heidi picture. The grandfather is tanned and has a commanding gesture. It’s contrasted with Heidi’s fairer and more tentative post. The Hurst I liked because he seemed to contrast the confident face of the man with the nervous lines in  his jacket and hands.

 

hands-rackhamhands-heidi

 

hands-earl-oliver-hurst

 

 

 

 

 

By the Light of the Moon – Pastel Painting

By Animals, art school, birds, Children's book illustration, Drawing, Illustration, Painting, Pastels, SCBWI No Comments

I had a great time in a 1-day pastel workshop at the Cole Art Studio. I used Nupastels on LaCarte paper for this painting of a dik dik, a small antelope that lives in Africa.  I worked on this in the afternoon.

HornbillIn the morning, I painted an African hornbill.

Pastels seem almost effortless. I’m looking forward to doing more.

Moorehead and Doubleday – Rabbits and More

By Animals, Children's book illustration, Fantasy, GNSI, Graphite, Illustration, Painting, Pastels No Comments

Meet Moorehead (left) and Doubleday (right). They’re a work in progress. I haven’t completely decided their back story yet. The sketch was colored in with CarbOthello pastel pencils (I like them) on Canson Mi Teintes paper. I just got a pack of La Carte and also Sennelier soft pastels and will be experimenting with those too.

I’m going to take a one day pastels workshop with Janis Graves this weekend through Cole Gallery and looking forward to it. I’ll paste a sample of her art below.

Janis-Graves-birdsThe Guild of Natural Science Illustrators also posted the group mural that I worked on at the Santa Cruz Conference.

There were 3. Here’s the one I drew a little egret (corner right) catching a fish. It’s on exhibit at the Sanctuary Exploration Center that’s part of the Monterey Bay National Marine Sanctuary. It was a great conference.

 

 

 

gnsi-mural

Childrens Illustrator Jerry Pinkney at Michelson Gallery in MA

By Animals, Children's book illustration, Graphite, Illustration, Painting, SCBWI, watercolor No Comments

lionMy parents were on the East Coast to give some talks at Landmark College in Vermont. They stopped in at the R. Michelson Gallery in Massachusetts, a gallery famous for its children’s book illustration.

Here are some great photos of watercolor work by Caldecott Award winner Jerry Pinkney. They knew of him because he had talked about his dyslexia, but we’re all familiar with his beautiful animal work. There’s a lot to be inspired about in his work  – dynamic composition, expressiveness, and brushwork. It’s especially helpful to see the works close up because I could see how he combined pencil and watercolor in a way that looked effortless.

I hope to post more of my own work soon. I’m doing more sketches of the Snow Queen with the iPad Pro and Apple pencil but nothing to show yet. I recently read a new translation of the Snow Queen by Hans Christian Anderson. It’s very different any of film adaptations. I’m setting my illustrations in Sweden because my father’s side is mostly  from Sweden and Norway.

pinkney-4 Pinkney2IMG_7171 pinkney3

Painting with Procreate and Corel Painter

By Children, Children's book illustration, Color, digital, GNSI, Graphite, Illustration, Mixed Media, Painting, RMCAD No Comments

imageI’m starting to noodle around more with digital art programs since I got a iPad Pro and Apple Pencil last weekend. It’s great.

I just started learning the programs, but colored a pencil sketch and can see the potential.

I can see why many artists are raving . My Cintiq cable died (its awkward 3-headed connector) and the company is out of all replacements – and they can’t be bought anywhere else.

iPad Pro + Apple Pencil CAN connect to a computer using the Astropad app – which makes the process freeing. I used Corel Painter and have also started working with Procreate which is an amazing app for $5.99.

Krister-Eide-Clymer-Museum-GNSIAt RMCAD, it’s Art History III (Modern) this month but also had a great time at the opening of our Nature’s Call show at the Clymer Museum (my work is part of the Guild of Natural Science Illustrators Northwest). It runs through June 25th and they’ll have another First Friday event in June if you might want to visit.

Earlier this month I also had a chance to attend a meeting of the Society for Children’s Book Writers & Illustrators – Western Washington at Seattle Pacific.  That was a great experience. They start off with videos filmed in the artists’ studio (I’ll post Jessixa’s  and Doug’s below) and then they answer questions. I liked seeing how their illustrations evolved.

 

 

 

Turkey Vulture in Watercolor – Show at the Clymer Museum !

By Animals, birds, gouache, Illustration, Mixed Media, Museum, Painting, RMCAD, watercolor No Comments

Turkey-Vulture-Watercolor-Krister-EideHere’s a watercolor portrait of a turkey vulture that I finished. Finished him time to be able to show him in the Natures Call Show at the Clymer Museum in Ellensburg. Thanks to Justin Gibbens and Guild of Natural Science Illustrators Northwest for making it all possible.

It’ll be my first show. I’ll also have an elk cow and crow in the exhibition. We’ll be driving out on the first Friday, May 6th, 5-7 pm. Food & Wine will be by Springboard Winery and music will be provided by the Lincoln Elementary School Music Club.
clymer-museum-show

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