Here’s a newborn baby Douglas squirrel. Their nest was found broken on the ground with no other babies or mom in sight. We think it may have been a predator.
We also have 6 Western cottontails and a new screech owl. The last screech owl has recovered well and has been released.
I’m in Digital Illustration II now and we’re doing practicing realistic techniques. Not as fun as narrative illustrations, but I’m definitely picking up some new things. I had a great trip to New York City – I’ll post that later this week. The smaller picture is the photo reference.
I’m excited to share that I’ve juried in two art pieces in the Fantastical Worlds Exhibition at Blakely Hall. The curator is Anna Macrae and the event was organized by ArtEast. I am thrilled and honored. There are some amazing artists in the show. Put it on your calendar. The opening reception is September 7th at Blakely Hall in Issaquah 6-8 pm. The art should be up until the beginning of November.
Here is my Art Statement for the show:
Animals have always captured my imagination. They come with a wild array of forms, colors, sounds, and with them an inner world we can only see faint traces of, and can never fully understand. Focusing on animals in my work always seemed natural to me, expressing emotions and worlds outside our understanding.
“Outside Looking In” is a somewhat personal piece, capturing a moment in time between two worlds. The piece started from random pourings of blue ink on paper, which formed an appealing landscape; the rest was filled in digitally.
“20,000 Leagues Under the Sea with Rabbits” is a lighthearted piece, which attempts to capture that sense of wonder and mystery I’ve always been drawn to, of entering a world you never knew you were missing.
I was also happy to hear that my painting of Edgar (see right) made it into ArtEast’s Put a Bird On It show that opens this Thursday evening at the ArtEast Center (I’ll be there) and remains there until October 1st.
After sketching thumbnails for my Gerda vs. the Snow Queen’s Snow Bees painting, I created 3 quick 3-value thumbnails to decide on the final composition. I found it really helps separating out the composition and value decisions before committing to a final work. Because I wanted to base the painting on the original Hans Christian Andersen story, I also want to work in the detail that he had about the palace being lit by Northern Lights.
Although I liked the extremes of values in the value study, I settled on the 3rd study because I liked the idea that the shadows on the hill would be pointing to Gerda, my focal point. I added some hills in the background to create greater depth and also added more complex branchwork in the final.
I started out with pencil and watercolor on Arches watercolor paper, but finished the piece digitally using Procreate and an Ipad Pro because I could play around with different color combinations before deciding on a final. I really like Procreate and the Apple Pencil because the process of illustrating with them is so close to real pencil, paper, and paint – but with much more flexibility with materials and undo’s. I had an earlier version, but Phil my teacher and classmate China suggested good feedback about brightening up the colors among other things. Our next assignment should be fun – drawing caricatures. I’ve picked my subject already…Edgar Allan Poe.
We had an interesting discussion this past week about realistic (or hyper-realistic) painting vs. realistic
painting with fantastic elements. A fellow student shared some of the hyper-realistic paintings of Charles Jeong from South Korea. I shared Allen Williams’ If Beauty Were a Book, done in graphite.
I realized while I like representational art, I prefer works that convey emotion or story more than complete accuracy.
In our final assignment of the class (costume figure), I decided to change it up a bit and use color and value changes, and even changes in the model to alter the mood.
It great to get back painting again. I combined a gouache underpainting with transparent watercolor and then Faber Castell Polychromos pencils and little touches of Sennelier pastels for highlights. It was nice to see that all of the media seemed to work together.
Had a great time with the critique group through SCBWI last weekend. Now I have a week off before starting Concept Illustration.
It’s been another busy week, but learning a lot more what CarbOthello pencils can do. I really like the medium although I have a lot to learn about making color blends. This past week had our usual gesture drawings, 2 hand drawings in pastel, and then a costumed figure drawing. Sanded paper like UArt or Wallis can receive more layers than Canson Mi-Teintes or other pastel papers, but they will eat up your pencils quicker.
I found I like the soft rich blacks of Nitram charcoal. It also doesn’t have as much dust as General’s.
I’ll also post the three examples of pastel paintings that I posted in this week’s discussion. Pastel offers such a wide variety of expression. I really like the medium.
The first is a rendering of Ophelia from Cuong Nguyen who worked as a successful web designer for many years until he got working more as a streetchalk artist, then became a full-time fine art painter. I learned from him that skin tones can be mixed with a green underpainting (verdaccio) and flesh tones.
The second is an illustration from Paul Howard from a Jill Tomlinson book called The Owl who was afraid of the dark. I like the soft luminous quality Howard was able to get from his use of pastels.
Finally, there’s The Guardian by Fiona Tang. It combines chalk pastel with charcoal and acrylic on a paper backing. The different textures of the various media used for this piece this piece contribute to the overall effect in different ways; the chalk pastel in particular is important to the trompe l’oeil effect, helping to differentiate the “three-dimensional” stag in the front from the more “two-dimensional” background charcoal elements, with the white tone of the pastel “light” against the natural brown color of the paper.
This coming week is my final one for Life Drawing IV. We’ve got a watercolor assignment, the first I’ve had since I’ve been in art school. Also this weekend, I’ll be going to the Great Critique-nic through the Western Washington Society of Children’s Books Writers and Illustrators. It’ll be the first one that I’ve ever gone to. People bring their illustrations or writing and split up into small groups where they critique and be critiqued.
I’m starting to noodle around more with digital art programs since I got a iPad Pro and Apple Pencil last weekend. It’s great.
I just started learning the programs, but colored a pencil sketch and can see the potential.
I can see why many artists are raving . My Cintiq cable died (its awkward 3-headed connector) and the company is out of all replacements – and they can’t be bought anywhere else.
iPad Pro + Apple Pencil CAN connect to a computer using the Astropad app – which makes the process freeing. I used Corel Painter and have also started working with Procreate which is an amazing app for $5.99.
At RMCAD, it’s Art History III (Modern) this month but also had a great time at the opening of our Nature’s Call show at the Clymer Museum (my work is part of the Guild of Natural Science Illustrators Northwest). It runs through June 25th and they’ll have another First Friday event in June if you might want to visit.
Earlier this month I also had a chance to attend a meeting of the Society for Children’s Book Writers & Illustrators – Western Washington at Seattle Pacific. That was a great experience. They start off with videos filmed in the artists’ studio (I’ll post Jessixa’s and Doug’s below) and then they answer questions. I liked seeing how their illustrations evolved.
It’ll be my first show. I’ll also have an elk cow and crow in the exhibition. We’ll be driving out on the first Friday, May 6th, 5-7 pm. Food & Wine will be by Springboard Winery and music will be provided by the Lincoln Elementary School Music Club.
I visited a neat solo exhibition today – Lynda Lowe at Abmeyer + Wood near Pike Place Market in Seattle. She had beautiful mixed media pieces with watercolor, oil, and wax on wood. The title of the show was Resonance and her figures of birds or objects seemed to resonate from mathematical symbols and scaffolding. The gallery told me that she’s a local artist.
We also visited the Patricia Rovzar Gallery. I especially liked some of the artwork there made out of ‘found’ materials. I’m going to try and visit galleries more on a regular basis.
Yesterday I came across a powerful National Geographic article that described how art therapy was helping soldiers with the emotional and physical scars of war.
“I THOUGHT THIS WAS A JOKE,” recalled Staff Sgt. Perry Hopman, who served as a flight medic in Iraq. “I wanted no part of it because, number one, I’m a man, and I don’t like holding a dainty little paintbrush. Number two, I’m not an artist. And number three, I’m not in kindergarten. Well, I was ignorant, and I was wrong, because it’s great. I think this is what started me kind of opening up and talking about stuff and actually trying to get better.”
Hopman is one of many service members guided by art therapist Melissa Walker at the National Intrepid Center of Excellence (NICoE), which is part of Walter Reed National Military Medical Center, in Bethesda, Maryland. Images painted on their masks symbolize themes such as death, physical pain, and patriotism.”
It’s a powerful piece and a great program at Walter Reed.