Category

charcoal

More Pastels – Carbothello Stabilo Pencils

By | Animals, art school, artists groups, charcoal, Children, Children's book illustration, Drawing, Illustration, Mixed Media, Painting, Pastels, Portraits, RMCAD, SCBWI, Technique | 2 Comments

floating-girl-ear-final It’s been another busy week, but learning a lot more what CarbOthello pencils can do. I really like the medium although I have a lot to learn about making color blends.  This past week had our usual gesture drawings, 2 hand drawings in pastel, and then a costumed figure drawing. Sanded paper like UArt or Wallis can receive more layers than Canson Mi-Teintes or other pastel papers, but they will eat up your pencils quicker.

I found I like the soft rich blacks of  Nitram charcoal. It also doesn’t have as much dust as General’s.

I’ll also post the three examples of pastel paintings that I posted in this week’s discussion. Pastel offers such a wide variety of expression. I really like the medium.

The first is a rendering of Ophelia from Cuong Nguyen who worked as a successful web designer for many years until he got working more as a streetpastel-1chalk artist, then became a full-time fine art painter. I learned from him that skin tones can be mixed with a green underpainting (verdaccio) and flesh tones.

pastel-2The second is an illustration from Paul Howard from a Jill Tomlinson book called The Owl who was afraid of the dark. I like the soft luminous quality Howard was able to get from his use of pastels.

pastel-3Finally, there’s The Guardian by Fiona Tang. It combines chalk pastel with charcoal and acrylic on a paper backing. The different textures of the various media used for this piece this piece contribute to the overall effect in different ways; the chalk pastel in particular is important to the trompe l’oeil effect, helping to differentiate the “three-dimensional” stag in the front from the more “two-dimensional” background charcoal elements, with the white tone of the pastel “light” against the natural brown color of the paper.

This coming week is my final one for Life Drawing IV. We’ve got a watercolor assignment, the first I’ve had since I’ve been in art school. Also this weekend, I’ll be going to the Great Critique-nic through the Western Washington Society of Children’s Books Writers and Illustrators. It’ll be the first one that I’ve ever gone to. People bring their illustrations or writing and split up into small groups where they critique and be critiqued.

 

Drawing Hands – Life Drawing IV

By | art school, charcoal, Children's book illustration, Color, Drawing, figure, Illustration, Painting, RMCAD, Technique | No Comments

krister-hands-2  This past week my class has been looking at the drawing of expressive hands. We’re still working for the most part in charcoal which is getting easier to handle for me. I like Strathmore Toned Paper and I’m finding it easier to get darker tones with a softer Nitram charcoal. I had started with Strathmore 500 charcoal, but it doesn’t have the smooth look of toned paper.

Besides drawing practice (whole body gestures) and these hand drawings, we also have a discussion post where we post examples of expressive hands.  Everyone always shares very different examples – it’s a great part of the class.

The three I shaerd this past week were from Rackham, Wyeth, and Earl Oliver Hurst. In the Rackham, I thought it was an interesting contrast between the knobby hands of the old woman and the simple open hands of the children. The Wyeth also showcases contrasts in this Heidi picture. The grandfather is tanned and has a commanding gesture. It’s contrasted with Heidi’s fairer and more tentative post. The Hurst I liked because he seemed to contrast the confident face of the man with the nervous lines in  his jacket and hands.

 

hands-rackhamhands-heidi

 

hands-earl-oliver-hurst

 

 

 

 

 

Life Drawing – Simplifying Using Geometry

By | art school, charcoal, Drawing, figure, Illustration, RMCAD, Technique | No Comments

figure-6figure-3
Interesting work in Life Drawing class the past week. We’re learning how to simplify figures by blocking in simple geometric shapes. It helps  generalize what you’re seeing and I think will make it easier working from life.

At the Terryl Whitlach conference, she had recommended Future Publications’ How to Paint and Draw Anatomy which showed how to break the human figure into simpler shapes. I found the book (actually both volumes) online at Scribd.

Today, my teacher also shared a video that will make really help what I want to be able to do. The figures are very fluid, but also have volume.

 

 

 

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